# Dating royal doulton plates

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If visiting the Potteries, Club members are invited to tour the Royal Doulton studios free. The company made further acquisitions in the 1990s but sales were stagnant and in 1997 the company was forced to restructure, cutting its workforce and range of products. There are many others including Home Waters and The Gallant Fishers as the mark on the right shows.\
&#x20;![dating royal doulton plates](https://www.picclickimg.com/00/s/MTIwMFgxNjAw/z/zxAAAOSwT5tWPY2J/$/6-Vintage-Antique-DOULTON-Burslem-Porcelain-9-PLATES-_57.jpg)\\

As of 2008 the company was still producing fine bone china, fine china and Royal Doulton Lambethware. Bardell, la among widows, with semi-bashful thoughts of re-marriage and a rise in the social scale, but with no premonition of 'The Fleet. It carefully blends tough, quartz-like compounds with feldspathic Cornish stone for a robust appearance. It gives invaluable information to people like me who are interested in Royal Doulton and too sell it. The famous salt-glazed wares with blue decoration first appeared in 1862. With his son Henry, John Doulton established the factory as a manufacturer of fine English stoneware. If the item has a series of registration numbers on the backstamp it is circa mid-20th century. Mid 20th sol figures also carried a Registration number which was later discontinued.

Several variants of this mark, used in conjunction with Doulton Ware or Lambeth Faïence marks are found on Chiné and Chiné-Gilt Wares 1885-1930. During more than a century and a half Royal Doulton have gained a unique reputation for ceramic work of art. Many pieces fortunately carry in addition to trade-mark and pattern number an impressed or printed indication of when they were made. History The Royal Doulton company takes its name from John Doulton.\
&#x20;![dating royal doulton plates](https://www.replaceyourchina.com/ekmps/shops/mrpottery/images/royal-doulton-berkshire-10.75-dinner-plates-seconds--2650-p.jpg)\\

**Doulton Marks** - Sales were down 3 percent, a vast improvement over the year-earlier result. The Lambeth factory closed in 1956 due to clean air regulations preventing urban production of salt glaze.\
&#x20;![dating royal doulton plates](https://www.picclickimg.com/00/s/MTIwMFgxNjAw/z/k6MAAOSw~bFWPY3H/$/6-Vintage-Antique-DOULTON-Burslem-Porcelain-9-PLATES-_57.jpg)\\

DATING DOULTON BURSLEM By 1877 Henry Doulton had established the name of the Doulton Lambeth art wares and set up factories making sanitary, industrial and architectural products in Rowley Regis, St. Within ten years he had enlarged the factory three times, built a china works, taken on the largest and most gifted group of artists in the Potteries, and developed for Doulton a reputation for craftsmanship and artistry still identified with Royal Doulton today. There follows a selection of the backstamps most commonly used on Doulton Burslem wares, and some further hints on dating. The reference numbers for the Doulton Burslem marks have been prefixed by the letter 'B' to distinguish them from those also numbered 1 and up in the list of Lambeth marks given in The Doulton Lambeth Wares. The Prince of Wales' later King Edward VI 1 , ENGLAND was added underneath after 1891. This mark continued in use until 1902. It appears to have been used instead of B. A simplified version showing only the coronet on a flat base and the word DOULTON was also used. This mark was in general use at Burslem between 1902 and 1922. On smaller wares, only the bottom half of this mark i. However, the exact date of introduction is not known. Many dated examples between 1928 and 1931 exist, and occasional examples dated between 1923 and 1927 have also been noted although B. This mark is still used on fine earthenware products such as Character Jugs. Various special marks will be found on figures, Character Jugs, animal models, Series Wares, Titanian, Morrisian, Flamb? Sung and Chang Wares, etc. These, by themselves, are not of much help for the purpose of dating but fortunately they are usually in addition to the standard trade-mark in use at the time, e. Pattern numbers, Registration numbers and artists' signatures can also help to indicate the period of production. A few examples of special marks are given below: B. Pattern and code numbers The following numbers indicate the approximate periods during which the patterns so marked were first introduced. It must be kept in mind that some patterns remained in production and usually kept the same number for many years. The trade-marks were, however, changed several times between the 1880s and now, and these can help to establish the period of production. There was sometimes an overlap in numbering between the end of one year and the beginning of another, so that some of the dates of introduction given below may be a year out. Because of missing records it has not always been possible to give the numbers year by year. Many pieces fortunately carry in addition to trade-mark and pattern number an impressed or printed indication of when they were made. The impressed date may give the year only, e. The impressed dates are not always easy to see and may be overlooked if one is not careful. The printed dates are usually indicated by Code Numbers beginning with 1 for 1928 and up to 30 for 1957. A simple way of calculating the date is to add the number in question to 1927. Thus 14 indicates the year 1941 and 23 indicates 1950. On some patterns, particularly on china, the date has been written in special ink. A -NUMBERS FINE EARTHENWARE C -NUMBERS CHINA 1- 6882 c. Before 1927 some H-numbers were also used for this body. V-NUMBERS CHINA 1 - 376 1927-1928 1801-1909 1937 377 - 820 1929 1910-2069 1938 821 -1000 1930 2070-2170 1939 1001 -1190 1931 2171-2250 1940 1191 -1320 1932 2251 -2295 1941-1942 1321 -1940 1933 2296 -2365 1943 -1948 1491 -1619 1934 2366 -2384 1949 -1950 1620 -1710 1935 2385 -2400 1951 -1954 1711 -1800 1936 RA-NUMBERS Hand-painted, and largely hand-painted, wares designed and decorated by Robert Allen and artists in his studios, were often given RA-numbers, written by hand, in addition to the usual trade-mark and any other number. Unfortunately many of the record books giving details are missing, but despite this what is available is interesting as giving some idea when pieces so numbered were designed. These hand-painted wares were not reproduced in great quantities and some items bearing RA-numbers would probably never have been repeated. The dates below are when the books containing the designs recorded in each were purchased. They give a fairly close idea of the dates of the designs. It will be noted that in the book numbered 26, the pattern numbers begin again with RA-1. By this time, of course, the lion and crown badge was in use so there need be no confusion. The RA-numbering was continued for several years after Allen had retired. First World War period. The RA-numbers were discontinued about 1943 or 1944 and not resumed. Royal Doulton GALLERY 167 Picadilly, London, W1 V 9DE Telephone 071 491 2717 A varied programme of exhibitions of interest to the Royal Doulton enthusiast. Artistry in Action Take a trip around the Royal Doulton Pottery in Burslem and see artistry in action. During more than a century and a half Royal Doulton have gained a unique reputation for ceramic work of art. Each new generation of potters and ceramic artists strives to improve on its predecessors' work. Our world famous figures, ornaments and fine china take shape before your eyes as you are guided through every facet of our centuries old creative art. Write or telephone for full details: Mrs Sandra Baddeley Tours Organiser Doulton Fine China Nile Street, Burselm Stoke-on-Trent ST6 2AJ Telephone: 0782 575454 The Sir Henry Doulton Gallery This unique gallery, at the Doulton Fine China Nile Street Pottery, Burslem, traces the story of Doulton from its foundation in 1815 and includes the world famous collection of several hundred rare figures. The gallery is named after Sir Henry Doulton, son of the founder of the company, who was the first potter ever to be knighted for services to ceramic art. The Royal Doulton International Collectors' Club The Royal Doulton International Collectors' Club is a flourishing organisation devoted to meeting the needs and special interests Royal Doulton enthusiasts. Why don't you take advantage of the many benefits? How the club can help you You have the opportunity to add to your collection with specially commissioned items. Exclusive to members, on a limited basis, they bear the unique backstamp of the Club. Members are kept up to date on collecting matters by mailings. Four times a year you will receive the well illustrated Club magazine, full of articles and news concerning Royal Doulton wares past and present. One of the jobs of the Club is to help you identify and date unusual items and find out other relevant information by referring to the Royal Doulton archives. The club regularly announces where Royal Doulton artists and designers are holding demonstrations. If visiting the Potteries, Club members are invited to tour the Royal Doulton studios free. To take advantage of all the benefits of membership write for an application form to Royal Doulton International Collectors' Club at U. Branch, Minton House, London Road, Stoke-on-Trent, ST4 7QD, Telephone 0782 744766 or to the appropriate address shown below. THE ROYAL DOULTON COLLECTORS' LIBRARY To satisfy an overwhelming demand from the world's museums, libraries and collectors, these handsome and authoritative reference books have been published with the full co-operation of Royal Doulton. Each one is written by an acknowledged expert, copiously illustrated, and will remain the definitive work on specialist aspects of Royal Doulton artistry for many years. Doulton Tableware Pty, Limited, 17-23 Merriwa Street, Gordon, NSW 2072, Australia. Box 6254, Johannesburg 2000, South Africa. Doulton Canada Inc, 850 Progress Avenue, Scarborough, Ontario M1 H 3C4, Canada. More than a year after it originally debuted, the watch still hasn't shipped out. Nevertheless, the watch's early fans continue to patiently wait. Emmanuel Dietrich, the founder of the brand, admits that are due to quality issues. The man has an admirable vision for what a truly affordable should look like, and he's sticking to it. My understanding of the delay is that one major problem that held up production for so long was finding a way to properly keep the links in the bracelet securely together. The a name I don't find particularly elegant watch collection is meant to be a Royal Oak or Nautilus for a new generation that does not appreciate the price range of traditional Swiss giants. Unfortunately, however, producing the TC-1 family, which currently has six models in a natural steel or is proving to be quite expensive.
